Stacy's Place on Earth
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Wednesday, September 01, 2010:
Is the HEA in danger?

Last night on a Twitter chat, I asked the author a question about the HEA - that much coveted Happily Ever After - and whether or not an HEA could end in future books of a series. In her case she said "yes". That nothing was safe in one of her books. Now granted, she writes paranormal, so there's a lot that can go on in a paranormal story that I can accept because that's almost an unwritten law in paranormal/urban fantasy. Yet for me, one thing that is very important to me is the HEA. By the end of the book or the series, that is one definite that must be met in some fashion. Otherwise, don't you dare label your book a romance. A romance has the payoff, the pot of gold at the end of the rainbow.

Now I understand that a lot of authors - as well as readers - want a more compelling, realistic story. They are hungry for books that push the envelope and challenge them. I get that. Real life is not all hearts and flowers, and sometimes your soulmate can end up being the scum of the earth. But I am one of those people that turned to romance for the escape of all of that. And I want it to stay that way.

If an author chooses to kill off a beloved character or end the forever kind of relationship they first created, ultimately that is their decision. I'm not going to say "think about that really hard first" because I'm sure they are fully aware of the ramifications of such an action. But what I would like to see is some type of indicator in the book or series letting me know this is not a traditional romance. Something that is going to say "be ready for anything". A disclaimer or warning that your heart might end up broken by the end. Because once you kill my happy, I'm gonna be mighty cranky about it, so you'd better warn me first.


What are your thoughts on the risks of the HEA?

Are you open to anything, or is the HEA sacred in your eyes?

Why or why not?

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Monday, October 20, 2008:
Secondary characters: "Wait a minute, it's my turn!"
The other night as we were driving home from the booksigning, Shannon, Michelle and I were talking about popular characters that either didn't get their own story, or were short-changed in the one they actually did get. Inevitably, the gorgeous and delectable Nicholas DuVille from Judith McNaught's "Whitney, My Love" and "Until You" was mentioned.
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"Miracles" by Judith McNaught

Nicky was truly the perfect role model for a hero - sexy, wicked, good-looking, and completely jaded. When we first meet him, he's got his lustful sights set on the Incomparable Whitney Stone, and though she might have been a little tempted (because really, who wouldn't?), it's actually Clayton that ends up winning her heart. Eventually Nicky and Whitney become good friends, and Whitney hopes one day he finds a love of his own. It's painfully obvious he's cynical about any type of emotional involvement, and does not believe in love at all. But aren't those the best kind of heroes? The ones that fight their fall every step of the way?

Well, as we all know, poor Nicky was royally screwed in the story department. Instead of getting the expected full-length book, we get something almost worse than no story at all: a novella! Now for those of us who fell completely for Nicky and wanted him to find love, this was just plain cruel. As Shannon pointed out, there's not even a hot 'n dirty love scene to take away some of the pain. That just hurt. As much as I love Ms. McNaught, this time I was disappointed in her choice to short-change one of her most memorable and beloved characters. Nicky totally deserved a complete book, and the readers deserved to see the luscious Nicky in action, in love and in between the sheets.


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Here we first meet Barber...

Anyone who knows me knows that Lori Foster's books are an auto-buy for me. Even though I'm not a huge fan of the SBC or UFC or whatever it's called, I do love her heroes and I'll read whatever she writes. One secondary character that totally blipped on my hottie radar was musician Barber Whatever-the-heck-his-last-name-is. I love musicians, especially sexy and charismatic charmers like Barber, and don't think we see them enough in romance novels. I was really hoping, considering how well he fit in with the other characters and how I zeroed in on him whenever he showed up that he would get his own HEA.

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...and here he gets his own HEA. But why not his own book???

Well, Lori doesn't disappoint me there, because he does. In "Hard To Handle", Barber meets a woman who gets him all hot 'n bothered, and bing, bam, boom with a little hubba-hubba thrown in, Barber's in lurve. No conflict, no backstory, nothing. I really wanted to find out more about Barber, as well as the woman who ends up winning his heart in record time. True he wasn't a fighter, but that didn't mean he shouldn't at least gotten his own novella if not a complete book. That I coulda lived with, as long as all the focus was on him. He deserved it. Lori obviously felt otherwise.

Now I know an author cannot write a story about every character that comes along. If he/she did, then they might not write the stories they have in their heart and mind to write. It's just not possible to expect that. But sometimes a character comes along that totally captures your attention right from the beginning, and it's only natural you want to learn more about them. And damn the author for making such an interesting character that you tend to gravitate towards them.
One case in point: Alison Kent wrote a Blaze - "Infatuation" (November 2006) - in which two of her secondary characters - Hector and Angie - were more interesting to me than the primary ones, and I just loved how she slowly brought these these prickly, defensive loners together. Maybe she didn't see fit to tell their story as more than secondary status, since it was clear they had a ways to go before making that leap, but I just was so fascinated by the progression of their relationship and how it wasn't all hearts and flowers and stars in their eyes. I don't think it was Alison's intention to take the attention away from the main characters, but in this instance, she did, and I didn't mind a bit.
Which secondary characters do you wish
had their own story?
Which character(s) were short-changed?
Any disappointments, or pleasant surprises?

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